a random assortment of things--a little bit of funny, a little bit of serious, and a lot of awesome.
The feelings that hurt most, the emotions that sting most, are those that are absurd — the longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.
Stories are powerful devices. And like all powerful devices they are capable of doing great harm as well as great good. Traditionally published fiction in North America has been predominantly representational fiction. The stories are recreations of known or recognizable elements in our world such as people, animals, plant-life, etc. in an environment be it urban, rural, or “wild”, in some form of interaction that is relational. Science fiction, fantasy and horror may bring in elements that are imagined, or yet to be invented or discovered, etc. However, the narratives are still informed by a world experienced through a human filter, and, often, the introduction of the fantastic can be a way of better understanding the existing workings and relationships with the experiential world of that moment. The best of science fiction and fantasy can cast a kind of bending light. We see the familiar in unfamiliar ways. We see the unfamiliar in familiar ways.
Writing story is the act of inscribing a specific vision. But in inscribing the specific story she’d like to share the writer exerts her control. In doing so she eliminates the possibilities of other inclusions. So writing stories can be, simultaneously, an act of creating as well as an act of exclusion.
How important, then, that published stories come from diverse sources; from the voices, experiences, subjectivities and realities of many rather than from the imagination of dominant white culture. For even as we’ve been enriched and enlightened by tales from Western tradition, stories are also carriers and vectors for ideologies. And the white literary tradition has a long legacy of silencing, erasing, distorting and misinforming.